New Ways of Seeing

When I wrote my piece on memory, migration and MasterChef for Issue Seven of Kill Your Darlings , I mentioned that Poh Ling-Yeow (Adelaide-b...

It recently dawned on me that my living room bookshelf houses nearly everything ever written by Salman Rushdie, Alain de Botton, bell hooks ...

I've just come back from an attempted visit to my sister's college in Bangalore which I shall not name here. Despite being fully clo...

I am trying to make scholarly sense of the coverage of the Indian student attacks (and the "hysterical" reaction to the same in th...

One of my favourite feminist design blogs is shutting shop. Not only will I miss their sartorial inspiration, but also their very useful att...

Just posting this YouTube video of Deepa Mehta's lecture at Emory University on her upcoming film adaptation of Salman Rushdie's Mid...

Last weekend, by sheer chance, I ended up hiring Roger Michell's latest romantic comedy, Morning Glory , which turned out be based on mo...

It is with a mixture of buoyancy and trepidation that I read the news and opinion pieces about the Anna Hazare-led "citizen's movem...

I am starting to think about my postdoctoral project, part of an international study of post-broadcast television. My end looks at the devel...

Crossover Cinema Anthology Publisher: In preparation for Palgrave (‘Global Cinema’ series) Provisional Title: ‘Crossover Cinema: Resetting t...