New Ways of Seeing

I am not going to include an image with this post because I believe, for once, the writing can stand on its own feet (does writing have two ...

When I first watched Philippe Claudel's I've Loved You So Long in a small theatre by myself over the Christmas break, I thought it...

Nigerian-British artist Yinka Shonibare stretches the skewed notions of cultural authenticity and class hegemony to the limit in his theory-...

The Golden Globe glory of Slumdog Millionaire seems to be raising questions regarding audiences (divided along national, religious, geograp...

I have to have one for my film as well as my dissertation, preferably the same for both. But, what is a 'voice', leave alone 'm...

I was reading about humans in motion, and then I began to wonder if it was possible to conceptualise the post-globalisation flows of people ...

I have been wondering of late if I was 'meant' to be a writer, and if my recent foray into the world of filmmaking and cinema theory...

I have nearly finished interviewing people for my documentary titled, I Journey Like a Paisley , and am now well on my way to editing it in...

There was a whole lot of Gen Y jargon occupying my headspace as I sat down to watch a preview session of this internationally-acclaimed co-p...