New Ways of Seeing

Part 3 FADE IN: 1 INT. KATH AND KIM LOUNGE ROOM – NIGHT OPRAH steps into the lounge room from the studio. She is wearing a glamorous red dre...

Part 2 FADE IN: 1 INT. KIMMY LIVE STUDIO – DAY KIM, wearing an ‘Enough Rope’ white polo-shirt, low-strung denim pants and trendy glasses cat...

Part 1 FADE IN: 1 EXT. KATH AND KIM HOUSE – DAY SANJEEV, the British-Indian host of The Kumars at No.42 and the first of Kim’s three guests ...

Read it and learn. Because learning is reading. And reading is also writing. Both are activities I have been procrastinating of late. And im...

Pather Panchali The first film of the trilogy, and the foremost chapter in the life of Apu, this is a fascinating chronicle of life and deat...

Can I have both? The intelligence of my emotions and the sensuality of my intellect. The word in the image as well as the visual in the writ...

When this film, my debut cinematic project in more ways than one, won the inaugural 2007 Adelaide Festival of Short Film, my grandmother qui...

I watched this film because Mehta lists Weir as another one of her contemporary filmmaking influences. Made in 1982, before his more famous...

Always falling for something I cannot Get. Forbidden hence desired? Incorrect because political? Craving for the fish that has been thrown O...

As I was walking through Rundle Mall today, capturing still images of its icons, trying to think of a story to tell about Adelaide, I reali...